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Definitely, Not The Same Old Thing! Sometimes, you get a surprising musical boost from a direction that you would never expect to. That’s what I got a week ago and in both its cuteness and innocence, it puts a real smile on my face. ...

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Scott Samuels - The King of Pop! In the summer of 2002, I was walking in Washington Square and I stopped and turned because I heard someone playing the guitar unlike anyone else I'd ever heard in the Park. I sat down for what I expected...

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The Musician's Musician I've mentioned in several of my postings that I drove Joe Pass around quite a bit when he was visiting the New York area or wanted to go some place near New York. Well, he was part of Oscar Peterson's...

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Joe Pass Brought The Bagels I was fortunate enough to hang out with Joe Pass for close to a dozen years. When he was in New York, I was one of a few people that Joe would meet up with, have lunch with, and would look to get a ride...

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GET TO KNOW JACK! - JACK WILKINS THAT IS Jack Wilkins is well known as a consummate guitarist, simply because he can play with anyone! And Jack has certainly challenged himself by working with many of the finest talents in the jazz world. When...

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Katarina Witt – Just Being Herself!

Category : Artists

The CBS plaza has never drawn as many as NBC, probably because there are so many things to see at Rockefeller Center, but it was a place I enjoyed visiting often when I lived in New York. One afternoon, I was sitting at the far end of the plaza and I spotted Katarina Witt leaving CBS with a friend and she happened to look over in my direction and although I never met her before, somehow I took the initiative and I shrugged my shoulders as if to say “what are you doing here”; somehow as silly as it may seem, Katarina and her friend turned around and walked all the way over to me.

I’m sure when Katarina got over to where I was, she realized that I was just a fan and not someone she knew, but she was as warm and friendly as could be. I’ve always found the best in their fields were gracious and caring; at least that has been my experience so far.

Katarina was visiting CBS, because she had a special planned to air that week and she was promoting the show. She was so excited talking about her TV Special and I have always made a point of telling people that complain about stars not wanting to talk, that it is simply that so-called fans don’t show any respect and allow the celebrity to be gracious. Tons of people shove pieces of paper in front of a star and feel that it is their obligation to sign their name. I didn’t do that and because of just showing appreciation for someone that I admired, I had a chance to meet a really special person and I just wanted to say thank you, many years later!

Definitely, Not The Same Old Thing!

Category : Musicians

Sometimes, you get a surprising musical boost from a direction that you would never expect to. That’s what I got a week ago and in both its cuteness and innocence, it puts a real smile on my face.  I actually received 2 links, one to a Japanese movie with sub-titles; it’s all about these girls that inadvertently poison the food of the band members in their High School Band.

While the band needs a while to recuperate, the girls begin to learn the instruments to fill in for the Band, but of course no one learns how to play within a week or two. However, these girls have talent and within a relatively short time, they get good enough to enter a contest against other school bands. It’s a fun movie with some really quirky and amusing parts. If you want to see “Swing Girls”, it is in 11 parts on youTube – The first episode can be found here

The other link someone sent me was also a pleasant surprise – There are 8 Japanese girls that have put together a Jazz/Pop/Hip Hop Band and it is very cool. They are known as Pistol Valve. Their Website is the following:

What I like with Pistol Valve is that it’s not the same old thing I would be hearing on any radio station. Here is one of their cool songs.

Scott Samuels – The King of Pop!

Category : Musicians

In the summer of 2002, I was walking in Washington Square and I stopped and turned because I heard someone playing the guitar unlike anyone else I’d ever heard in the Park. I sat down for what I expected would be 15 minutes; it was 6 hours later that I finally got up and left, but not without getting to talk to Scott and ask if he played there regularly. I was surprised to find out that Scott had been playing there for a few years and somehow I had been coming at the wrong time and missed him. I made sure I changed my schedule for when I came to Washington Square.

I’ve called Scott Samuels the “Joe Pass of Pop” and “The King of Pop”. It’s not because he plays solo jazz guitar all day like Joe Pass or dances like Michael Jackson. What Scott Samuels does do though, is play each song like a one man band, as well as sing along with his guitar. Scott doesn’t play one style of music and this is why there have been many nights where 100 to 200 people have parked themselves all around him and watched as Scott and his regular fans joined in singing the choruses to all different styles. It’s not unusual to hear songs from Elton John, Billy Joel, Van Halen, Prince, Hall and Oates, Al Green, Bob Marley, The Beatles, Syreeta, Celine Dion, Jimi Hendrix, Tony Bennett, Al Jolson and the list goes on to roughly 2,000 songs. It just depends on the audience.

Scott has a decent voice, but what’s more he draws some excellent singers, that he gladly turns over the lead vocals to when he enjoys their style. William Galison and Madleine Peyroux have joined Scott on occasion. I was a regular in the Park in 2002 – 2004 and would find myself planted there listening and singing along for up to 10 hours — Scott actually played that many hours!  Sometimes Scott just didn’t take breaks, he’d be just sipping on a few Snapple Juices and back to playing. Scott was like the Energizer Bunny.

There was an early evening in 2003 that a few of us had been sitting listening to Scott for 3 or 4 hours; this was a day that Greenwich Village was filled with protesters opposing the beginning of the Iraq War. After the protest march had ended, many of those protesters decided to head into Washington Square and within about an hour the Park was packed with people that had added to our small group of listeners. Scott chose to play the song “Imagine” by John Lennon and strangely enough so many people had tiny candles that they passed around and this is a sight that should have been captured on the news, but roughly 1,000 people were all singing “Imagine,” waving candles and accompanying a single guitar.

Scott Samuels is a self-taught guitarist, that you’ll often see using piano voicings for his guitar, because he was heavily influenced by many composers that played piano. On the other hand Scott plays fast solos when he is joined by other players and he’s been seen by many of us not only playing Eddie Van Halen, or Jimi Hendrix solos, but even playing the music of Alan Holdsworth and all of this is being played on an acoustic guitar.

A funny tidbit about Scott is that his father is a song writer that wrote some funny tunes; one of his songs is “I Owe A Lot To Iowa Pot” and a song that was banned and became quite famous entitled “They’re Coming To Take Me Away.”

Being a regular to the Park Jam, is the one thing that I miss about New York, now that I live in Oregon. But, whenever I hear that someone is going to New York City in the summer, I tell them that if it is a warm summer day, they should  make their way down to Washington Square Park and look for Scott Samuels. I know I will!

Learn About Jazz

The Musician’s Musician

Category : Musicians

trioI’ve mentioned in several of my postings that I drove Joe Pass around quite a bit when he was visiting the New York area or wanted to go some place near New York. Well, he was part of Oscar Peterson’s band on and off for a few years and I would pick up Joe and sometimes some of the other players in the band, just not Oscar himself. The other musicians were Martin Drew and Niels Henning-Orsted Pedersen.

One day when I was driving the guys from uptown to the Blue Note in NYC, I asked what major difference was there between Ron Carter and Ray Brown; the guys laughed at my ignorance and gave me their views. From what I got out of that was that Ron Carter added color to a song, but Ray Brown was such a power house that when he played, Marching bands formed and never missed a step. Niels said “Ray Brown is so precise, you could set your watch by him” and then in stereo they all said at once “And we often do!”

These guys always showed appreciation for other players that earned that respect. One day when the guys were playing the Blue Note, just before going on, someone was close to the window and noticed Toots Thielemans down the street and they jumped from their seats to welcome him. They greeted Toots and walked him inside. You could tell the mutual admiration these guys had for Toots and for each other.

Joe Pass, Martin Drew and Niels Henning-Orsted Pedersen were all class acts and each could be called a musician’s musician.

You can learn more about jazz, see pictures or take quizzes at Jazzipedia. The jazz site that’s growing!

Joe Pass Brought The Bagels

Category : Musicians

Joe Pass and Mike SternI was fortunate enough to hang out with Joe Pass for close to a dozen years. When he was in New York, I was one of a few people that Joe would meet up with, have lunch with, and would look to get a ride from to his gig. Whether or not I drove Joe or someone else did, he put all our names on the guest list; Joe was extremely generous that way! So, we often were regular guests at Fat Tuesdays or a few years later at the Blue Note.

One night when Joe was playing a solo gig, my former guitar teacher, Leni Stern came to hear Joe. Leni has been called “Little Pat Metheny”, because of her tone as well as her picking style. Leni stayed till the end of the second show and till Joe was packing up his guitar. I was giving Joe his ride uptown that night and so I asked Leni , since she was on the way, if she wanted a ride as well.

Leni Stern was not only an excellent guitarist and writer, but she was also married to the gifted, silky smooth and blindingly speedy jazz guitarist, Mike Stern. As we drove uptown, Leni said to Joe that he should come over for breakfast the next morning and then have some fun playing with her husband, Mike. Leni felt that she convinced Joe and said, “see you tomorrow” as she got out of the car.

As I started to drive off, Joe looked at me and said, “You know I’m not going tomorrow, don’t you?” Actually, I didn’t know that at all; I asked him why he didn’t want to go. Joe had gotten so used to hot shot players wanting to jam with him and for the most part, he didn’t have fun at all. Fortunately, I knew Mike just enough to have heard him play a number of times at the 55 Bar in Greenwich Village, I had seen Mike when he was a member of Miles Davis’ band and also, I had been told by Leni, that Mike had transcribed many of Joe’s solo’s by hand and learned how to play them. So, Mike not only had his own style, but he was totally familiar with Joe’s and I told Joe what I had known and that he should go, because in my opinion, he was going to have a great time.

The next night I heard that Joe indeed had gone to visit the Sterns and brought the Bagels and Cream Cheese and played for quite a while with Mike. He told me that he had a great time!

It is disappointing that I wasn’t there to hear Joe and Mike that day, but it was satisfying to know that I said something that made for a memorable musical time to two people that I admired. I did help another excellent guitarist, Emily Remler get to the Blue Note one day and jam with Joe, but that of course is another story.

To get familiar with both of their styles, here are links to each of them:

Joe Pass

Joe Pass Plays "Satin Doll" Solo

Mike Stern

Mike Stern Band Live in Paris

Yes, I am Walter Cronkite!

Category : This Week's Post

walter-cronkite1Over the years, I’ve been privileged to have either seen or met many celebrities. I was always happy to meet a celebrity, it never made me feel uncomfortable or at a loss for words; never that is until I saw the one man that had been “The Voice of Reason”, considered for a long time as “The Most Trusted Man in America.” Here he was standing right in front of my workplace. I walked right up and said are you…and then it hit, I had a brain freeze, but this bigger than life man, in his booming voice said “Yes, I am.” It was Walter Cronkite.

Yes, here was the man that made the news come to life, yet had to bear the burden of John Kennedy’s death to a nation; this was the man who shared his joy with this country when it came to the landing on the moon. It was funny to me that I should see him standing in front of my workplace on 52nd street, because I had been a courier for my uncle, often delivering to CBS 60 Minutes. ’60 Minutes’ was my uncle’s biggest client and  I always kept my eyes open for Walter at his own office building, but of course I never saw him there.

My uncle produced a map that was used by all three major TV stations. This map was put to use when Astronaut Alan Shepard made his flight around the earth. Mr. Cronkite was in Florida in 1961 for the launch of Alan Shepard and since my uncle was working with the reporters and hanging around for several months while that flight was delayed several times. My Uncle Ed got to spend some time with Mr. Cronkite, so I took the occasion to remind him of that time.

Our meeting was short, but a memorable one and I can still hear him say “Yes, I am.”

Allan Holdsworth Plays Portland – guest writer Andrew Gorny

Category : Other Writers

holdsworthOne can never know what to expect from progressive rock side projects. Sometimes you hit a golden era in music, such as Bill Bruford’s (King Crimson, Yes) sensational fusion band, “Bruford.” Sometimes, you get a project like Liquid Tension Experiment (Dream Theater, King Crimson) whose fan base is limited to the die-hard fans of the bands it spawned from. Sometimes you get just a halfway decent set of output from musicians you appreciate, as is the case with A Perfect Circle (Tool, Primus), or Les Claypool’s Fearless Flying Frog Brigade, which although decent, doesn’t match the excellence of Les’ beloved brainchild.
There is one thing we can count on. If Allan Holdsworth  gets hired, everyone gets excited.
Allan Holdsworth, one of the most underplayed guitar sensations in the world, has teamed up with Terry Bozzio (Frank Zappa), Pat Mastelotto (King Crimson, Mr. Mister), and Tony Levin (King Crimson, Peter Gabriel) for an improvisational tour which began last month.
“So you know, we were [on stage] completely unprepared, and just played whatever came to us. That’s why you probably didn’t get it.” Continue Reading

GET TO KNOW JACK! – JACK WILKINS THAT IS

Category : Musicians

Jack WilkinsJack Wilkins is well known as a consummate guitarist, simply because he can play with anyone! And Jack has certainly challenged himself by working with many of the finest talents in the jazz world.

When you look at Jack Wilkins’ portfolio, not only can you appreciate the talent that sought him out, but also the diversity of his collaborations. These gifted musicians include tenor saxophone player Stanley Turrentine, who played jazz as well as R&B. There was Jimmy Heath, often called “Little Bird”, because he was strongly influenced by Charlie Parker. A player that shared the stage with Mr. Wilkins is Eddie Gomez, who played with Dizzy Gillespie and had a mutual Latin influence. If that’s not enough to impress you, then let’s note his collaborations with Chet Baker and Buddy Rich.

Jack Wilkins has also been appreciated for his ability to compliment the vocal styles of Morgana King, Sarah Vaughn, Sammy Davis Jr., Tony Bennett, Manhattan Transfer, Cassandra Wilson, Chris Conner and the list goes on.

Continue Reading

Hot Guitar – by Jack Wilkins

Category : Other Writers

The Hot Guitar

By 1982 I’d been playing my Gibson guitar for over 20 years. I love this guitar! I know her and she knows me. It’s a relationship based on trust, understanding, and time. Don’t tell her this, but she was not my first or even second love.

Imagine this scenario: Eighteen years old, just out of high school, and trying to decide what to do with my life. I knew I wanted to play guitar but should I go to college and get a degree “to have something to fall back on” as my parents used to say- kind of a built-in failure mechanism if you think about it- or should I begin getting experience playing?

Colleges in those days (1962) didn’t offer degrees in jazz guitar. I couldn’t see spending four years at a college where jazz wasn’t accepted and you had to study classical guitar to get a degree. It wasn’t for me. I decided to learn by playing local jobs, practicing and asking questions, which I still do today. To supplement my income, I took a job at a local music store where I gave lessons. Not bad for the time, about $8 an hour, and 15 or 16 hours a week. Continue Reading

American Guitar Museum

Category : This Week's Post

gtr1The reason for early jazz bands using banjos and never guitars was simply because guitars were not loud enough. But by utilizing brand new recording and amplification techniques, Eddie Lang played his guitar in the movie “The Big Broadcast of 1932” and banjo players immediately recognized that guitarists would soon be filling their chairs on the bandstand. Pawn shops soon filled up with banjos, and guitar craftsmanship produced lush sounding quality instruments that were in enormous demand.

The American Guitar Museum located in New Hyde Park, Long Island exhibits the finest work of craftsmen that poured their skill and love into this wonderful instrument. The museum puts us in touch with both the guitar’s history and its future.

It’s only fitting that the person responsible for establishing this museum would not only be a guitar player and collector, but as he is affectionately called the “Guitar Doctor” Chris X. Ambadjes is one of the finest luthiers in the business having conceived a guitar museum about 33 years ago, Chris was able to bring his dream to fruition about 16 years ago. Fortunately Chris’ friends, Demo Manolis, the late great Wayne L. Wright and a few others were willing to make this museum a reality. The friends pooled their resources and they formed a board of directors there. Continue Reading